A bit about the new stuff: the Octron is pretty cool. It has internal trimpots for the tone and gain of both the octave up and down functions which I haven't fiddled with yet. At the moment, the tone of octave down is rolled off so it's a very warm sound with not much attack. It works pretty well and tracks fantastically (only does single notes though). It feels a lot better to play than the Electro-Harmonix POG2 that I sold, which tracked pretty good but it felt like there was a slight delay when it was coming out the other end, and I didn't really love the sound (I think that distorted POG guitar sound is one of the worst tones in history). However, our friend James Gilligan bought mine and uses it now with bass and he makes it sound very nice. The Octron isn't digital or polyphonic like the POG, but it is all analog and good. Octave up is more like a fuzztone, and you can get some really cool fuzzy sounds just from this box alone. When you kick it on feeding a Muff or the Fuzz War it goes bananas, and when you add the Freqbox as well it's demonic. Anyway, cool pedal.
The Death By Audio Fuzz War is insane; massive sized and massive sounding box, especially in conjunction with the Octron or Freqbox. I bought it partly because Jon Dwyer from Thee Oh Sees uses one and I was a bit obsessed last week. Don't think it's going to replace my Muff (just different sounds) but it'll get some good use. I think I played the main riff to Electric Wizard's Funeralopolis for about half an hour whilst trying it out this afternoon. It's got some cool useable sounds at any point on your guitar's volume knob.
Lovepedal Eternity is also a pretty cool box. I picked it up for $100 on sale off Lovepedal's mailing list (get on it, some great deals for great pedals). Usually more compressed than I like my overdrive sound, but it sounds pretty cool lead stuff and I'm using it for more of an in-between, sustained sound than I get with the Sitori Drive, which has more top end but doesn't really have a lot of the sustain. It'll hang around for a little while. I am also a big fan of Lovepedal's COT50 and BBB07 fuzz pedals.
The Earthquaker delay is also a fantastic pedal. I was using a Freakshow Digilog for a while, which sounds great but has a few shortcomings; for some reason the freak-out button on it doesn't really activate fully until you push back the delay time or up the mix knob, so it's kinda hard to us practically on some settings. This doesn't really automatically go towards the bright, biting slapback tone which I usually use (but I'm sure it's in there, and there's a tone knob for the repeats), but the default sound is more of a bubbling, tape-echo-esque ambient sound that sits underneath. It also has footswitchable modulation for the repeats, which kicks on the analog chorus/vibrato sounds on the repeats. Sounds awesome.
Not sure if I'm going to keep it this massive; even though everything is true bypass and I have good cables, it does knock a bit of your high end and gain from your signal. The A/DA Final Phase might make a return as well as the other Lovepedals, but I'm content with this right now.